Numerous romantic travellers and foreign writers and artists began to include Andalucía in what was termed the ‘Grand Tour’ in the first quarter of the 19 th century. Most of these foreigners, like Lord Byron, Richard Ford, Robert Dundas Murray and Washington Irving, headed straight for Seville, a city which, until then, was little known to the outside world. Many books have since been published about the history of Seville, including those by the aforementioned foreigners: these offer an insight to Seville and its architecture, its culture and traditions and its religious and social backcloth, much of which is still standing, both structurally and culturally. The majority of these romantic travellers arrived in Seville aboard a steamboat along the Guadalquivir, although the skyline that confronted them has changed greatly since that time. Since then, most of the fortified walls and gateways have vanished, and sprawling areas like Plaza de España and Parque María Luisa have ap...
Preface - Seville: A legacy of enchantment The idea for this book was born while admiring the splendorous Plaza de España, something I have enjoyed on numerous occasions over the last 30 years. This inspirational collection of architecture, one of the largest and most impressive in Seville, was constructed for the world exhibition that the city hosted in 1929, an event that changed the face of the city centre and pinned Seville on the world map. But it was not the elegance and beauty of this area, known as the Venice of Seville, that inspired me, but the thought of what Seville would be like without it. My fascination with Seville began many years ago while researching the art of flamenco and the people who best perform it, the Andalusian Gypsies. This was a time when I relied on the writings of Richard Ford, the 19 th century English travel writer known for his books about Spain; and George Borrow, another Englishman whose books, The Bible in Spain , and The Zincali, were ...