Preface - Seville: A legacy of enchantment The idea for this book was born while admiring the splendorous Plaza de España, something I have enjoyed on numerous occasions over the last 30 years. This inspirational collection of architecture, one of the largest and most impressive in Seville, was constructed for the world exhibition that the city hosted in 1929, an event that changed the face of the city centre and pinned Seville on the world map. But it was not the elegance and beauty of this area, known as the Venice of Seville, that inspired me, but the thought of what Seville would be like without it. My fascination with Seville began many years ago while researching the art of flamenco and the people who best perform it, the Andalusian Gypsies. This was a time when I relied on the writings of Richard Ford, the 19 th century English travel writer known for his books about Spain; and George Borrow, another Englishman whose books, The Bible in Spain , and The Zincali, were ...
How can it be? My earliest memories of my family are of the warmth of my mother, the smile of my father, the glance of my aunt, the affection of my cousins and the love of my brothers. I remember that my ancestors intrigued me and I would wonder how they had lived and what had been their beliefs and their preoccupations, and I wondered if these things were just Gypsy things or the things of everyday people. My father taught me that to be Gypsy was to be no better or worse than anybody else, but he said it was something different to live the life with freedom, and he stressed that the respect for others was fundamental, especially the older generation, because they are the source of our wisdom. The first references I have of flamenco are from my parents, and the figure that was most emphasised was my great grandfather, Fernando Peña Soto – El Pinini. They said that he was a Gypsy born in Lebrija and that he had come to live in Utrera when he was eight-years old. It was sai...