Tony Bryant

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A Paradise of the Senses

With perhaps the exception of Ernest Hemingway, most foreign artistic luminaries who have passed through Seville over the last two hundred years claimed to have been seduced by its romantic allure and overwhelmed by its historic, religious and architectural wealth . Seville’s colourful customs and traditions also appealed to these foreign visitors, especially the Englishman, Richard Ford, who is said to have completely integrated into Sevillian society, even to the extent of adopting the typical attire of the period: this was in contrast to the traditional dress chosen among the 19 th century upper classes of London from which Ford descended. Spain acquired a European vogue during what is called the ‘romantic era’, a time when the theorisers of the romantism movements in the UK, France and Germany began to discover Spanish literature, in particular, Cervante’s Don Quijote . This period offered foreign artistes a rich source of themes and settings inspired by Andalucía and its ...

Seville: a legacy of enchantment

Numerous romantic travellers and foreign writers and artists began to include Andalucía in what was termed the ‘Grand Tour’ in the first quarter of the 19 th century. Most of these foreigners, like Lord Byron, Richard Ford, Robert Dundas Murray and Washington Irving, headed straight for Seville, a city which, until then, was little known to the outside world. Many books have since been published about the history of Seville, including those by the aforementioned foreigners: these offer an insight to Seville and its architecture, its culture and traditions and its religious and social backcloth, much of which is still standing, both structurally and culturally. The majority of these romantic travellers arrived in Seville aboard a steamboat along the Guadalquivir, although the skyline that confronted them has changed greatly since that time. Since then, most of the fortified walls and gateways have vanished, and sprawling areas like Plaza de España and Parque María Luisa have ap...

Preface - Seville: A legacy of enchantment The idea for this book was born while admiring the splendorous Plaza de España, something I have enjoyed on numerous occasions over the last 30 years. This inspirational collection of architecture, one of the largest and most impressive in Seville, was constructed for the world exhibition that the city hosted in 1929, an event that changed the face of the city centre and pinned Seville on the world map. But it was not the elegance and beauty of this area, known as the Venice of Seville, that inspired me, but the thought of what Seville would be like without it. My fascination with Seville began many years ago while researching the art of flamenco and the people who best perform it, the Andalusian Gypsies. This was a time when I relied on the writings of Richard Ford, the 19 th century English travel writer known for his books about Spain; and George Borrow, another Englishman whose books, The Bible in Spain , and The Zincali, were ...

A few words from Luis El Marquesito about Tony Bryant and his book The Clan of El Pinini

How can it be? My earliest memories of my family are of the warmth of my mother, the smile of my father, the glance of my aunt, the affection of my cousins and the love of my brothers. I remember that my ancestors intrigued me and I would wonder how they had lived and what had been their beliefs and their preoccupations, and I wondered if these things were just Gypsy things or the things of everyday people. My father taught me that to be Gypsy was to be no better or worse than anybody else, but he said it was something different to live the life with freedom, and he stressed that the respect for others was fundamental, especially the older generation, because they are the source of our wisdom. The first references I have of flamenco are from my parents, and the figure that was most emphasised was my great grandfather, Fernando Peña Soto – El Pinini. They said that he was a Gypsy born in Lebrija and that he had come to live in Utrera when he was eight-years old. It was sai...

Do we need another version of Harvest Moon? Elizabeth Zeder and her “weird well of musicians”

Elizabeth Zeder - Karl Smallman I seldom get excited when asked to review the recording of a cover version of a song of which I am particularly fond of the original. I am a staunch believer that original versions cannot be bettered. How can a cover version be better than what the composer originally envisaged for their music? Of course, there are exceptions, but few and far between. What is even more difficult is when the request for a critical ear comes from a friend, acquaintance or someone I respect. As I said, there are, occasionally, exceptions to the rule, one of which landed on my desk recently. Last year, I had the pleasure of interviewing Elizabeth Zeder, an American jazz singer based in Gaucín. Elizabeth has established herself among what is fast becoming a thriving music community in the Serranía de Ronda (Málaga), and so she had no trouble selecting suitable musicians to participate in the recording of her latest offering, a jazzy-pop-style version of Harvest Moon. ...

La Fernanda and La Bernarda de Utrera documentary

Last year, the town of Utrera (Seville) marked the 100 th anniversary of the birth of La Fernanda de Utrera, who was born at 22 Calle Nueva on 9 February 1923, with a series of cultural initiatives. Flamenco recitals, exhibitions and tertulias about this outstanding flamenco singer and her sister, La Bernarda, took place at various locations in the town throughout the year. One of the most eagerly awaited of these initiatives was a documentary about these two divas that was to be made by La Filmahora, with the collaboration of Canal Sur television, and Utrera town hall, among others. [1] I had been contacted by the producer, Rocio Martín, who asked if I would like to participate, an offer which I accepted wholeheartedly. Rocío had previously contacted my good friend Luis El Marquesito to obtain information about the family, especially the line of Inés Peña Vargas, the mother of La Fernanda and La Bernarda, and the daughter of the mythical El Pinini, a singer whose family ...